Read around groups are a great way to support peer review in your classroom in an non-traditional way. This activity helps students develop their vocabulary for discussing and critiquing writing, and solidifies ideas about what good writing looks like. Consider using this method in your classroom to engage your students in more dynamic peer review!
Interested in utilizing Dr. Thomas Sura’s One Minute Paper in your classroom? Here is a brief instructional video detailing how to implement it. This is a great way to foster reflective thinking in your students concerning their own writing practice, and has the added benefit of allowing you instant feedback on your own teaching practices!
Based on a presentation by Melissa Broeckelman-Post, this learning module illustrates a methodology for course design that begins with the broad and gradually focuses in on how to create assignments and assessments. Each assignment is encouraged to link back to the original goals and outcomes desired for the course, so that everything remains focused and connected.
Consider using this method the next time you begin to design your class.
Looking for a new way to foster discussion in your classroom? Try this sticky note exercise! This highly adaptable exercise allows for meaningful discussion, while the anonymity of it allows students the freedom to express their ideas. Try using this method to discuss writing in your classroom, and see what new revelations your students come to.
By: Caitlin Dungan
Caitlin Dungan is a PhD student in Mason’s Writing and Rhetoric PhD Program. Caitlin is a Graduate Research Assistant for Mason’s Writing Across the Curriculum Program, and her current research interests include fanfiction, digital media and rhetoric, online feedback practices, and participatory culture.
When scholars talk about the intersections between writing and technology, as well as how technology forms, limits, complicates or expands writing practice, we tend to overlook the fact that writing itself is a form of technology. While writing changed the world as profoundly as the wheel did, somehow the act of writing always seems to undergo cyclical scrutiny as being attacked by some new, seemingly insidious form of technology (as handwriting was by the typewriter), being changed by that technology into something worthy of being preserved, and then attacked again by whatever technological innovation comes next. Continue reading
The Writing Campus will be on a two-week hiatus for Spring Break and participation at the Conference on College Composition and Communication. New content will resume on Thursday, March 26th. However, reblogs will continue starting March 16th on both our Facebook page and Twitter feed.
In the meantime, please feel free to continue sending blog submissions!
– The Writing Campus
Though writing is certainly one of the most complex acts humans engage in, sometimes it helps to boil the crafting of writing down to its most basic elements. When it comes to good writing, the essentials go beyond process and repetition and into the realm of psychology. Time’s Eric Barker interviewed Steven Pinker, of Harvard’s Department of Psychology, on what he considers to be the best tips for better writing. These helpful strategies are deceptively simple: things like “Don’t assume your reader knows what you already know.”
“…another bit of cognitive science that is highly relevant is a phenomenon called ‘the curse of knowledge.’ Namely, the inability that we all have in imagining what it’s like not to know something that we do know. And that has been studied in various guises in the psychological literature. People assume that the words that they know are common knowledge. That the facts that they know are universally known… the writer doesn’t stop to think what the reader doesn’t know.”
Today we are highlighting a helpful module from Eli Review on how to understand, use, and teach informative feedback strategies and in-depth revision. Timely and explicit feedback from both teachers and peers leads not only to improved drafts, but to improved writing skills overall. Giving students the instruction they need to learn reflective skills for analyzing both their own writing and their peers’ is critical to fostering the confidence of emerging writers.
“Teaching and learning don’t happen in a vacuum. They happen within specific schools, classrooms, and cultural contexts. This is true for feedback as well.
Effective feedback requires a context in which learners have both the ability and opportunity to hear, understand, and act on that feedback. We might think about feedback rich classrooms as “safe and smart” learning contexts, or classroom communities in which students feel comfortable enough to risk engaging and learning with each other.”
In this series of interview questions from Mason WAC, Anna Habib, Assistant Director of Multilingual Composition, and Karyn Mallett, Associate Director of International Pathway and English Language Programs, offer some insights into their teaching practices and observations concerning multilingual composition.